In a frenzy in London ammanicato the real estate mogul Lenny Cole decides who, when and how to obtain new licenses, leveraging its position to the detriment of less powerful. Mumbles, One Two and his friend have just been screwed by the wealthy businessman - who had deluded by the mirage of a permit to use, but then disallow it - and have a week to return the loan of two million.
Archived two flops (Swept Away and Revolver underestimated) and a bulky marriage, Guy Ritchie film back to the formula that gave him success and London made a life of crime of vicious criminals and gangsters from overwork. In a flurry of characters - corrupt councilors, Russian entrepreneurs, stooges, accounting in a skirt, chief touts art with a passion, invincible killer, rock star junkies - of accents and traffic will diverge and intertwine the stories of Lenny Cole ( Tom Wilkinson), One Two (Gerard Butler) and the leader of the Quid Lickers, Johnny Quid (Toby Kebbell). The first is to close a deal millionaire with a piece of the big bad Russian decided to invest seven million pounds in brick. The second unknowingly sends smoke into the delicate operation twice. The third, which is the first step-son, it was appropriate for a precious commodity further aggravating the matter.
Despite the apparently complicated plot, Ritchie proves once again capable of being able to carry out trade with the coil, firmly holding the ends of wire without ever losing sight of the end. Cole's line - "is all about the details "- the fit is a British director who gives each of his characters a feature, a joke, bizarre action as memorable. With the objective of capturing a town-site cement gray and dreary, zooms in on faces, clothes, accessories (signed) a shooting inside a macro-micro, both equally corrupt and corruptible.
always been attracted to the underworld and its mechanisms, Ritchie generates (on first page and then on the big screen), full of charm and lovable villain, sometimes fools but basically human. Set within a story the paradoxical aspects that lacks the usual happy ending proves to be fascinated and decides to show the violent nature without exceeding the same representation of violence. Agility and shooting a video installation by copyright - that turns a sex scene in a movie orgasm - alternates measured deceleration amazement of a song ("The Gun" by Lou Reed) or a sensual slow motion. RocknRolla with the former "Material guy" comes to genre films in great shape proving to be "cured" by the blocking of the director. Welcome back among us.
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